PHOTOBOMB! includes 90+ pages covering:
- How to get started using your DSLR on Manual Mode
- Create phone and instagram photos that POP!
- Learn how to take self portraits so awesome people will ask you "Who is your photographer?!"
- Find poses which flatter your body, and take your own headshots for social media accounts and more!
- Take your recipe posts to the next level with scrumptious food photography and styling.
- Learn the ins and outs of photographing your home and interior decor
- Capture your life in an engaging way with inspiring lifestyle photography
- Take your readers with you to your fun events by photographing events like a pro.
ood photography is something that I've become more passionate about in the last couple years. I'd even venture to say that it's quickly become one of my favorite branches of photography, and not just because I get to chow down on whatever I just shot. I'd say that for me, food photography is more about food styling than the act of clicking the shutter. Most of my food shoots are done in the same location with the same lighting set up, but it's the styling that makes them interesting. Unlike portraits, you can really control food photography very precisely and you can usually take as much time as you need to get the right shot, as long as you aren't shooting something that will quickly melt. There are a few basics to keep in mind when shooting food that will boost your food photos to the next level.
Unless you're experienced in shooting with off camera lighting set ups, I recommend shooting your food photos in daylight. Food looks awful under ambient light at night, no matter how good it tastes, so do your best to shoot during daylight hours. I even turn of all the lights in the kitchen when I'm shooting food so I don't get any weird light seeping in. This can be inconvenient if you want to shoot a dinner meal that you'd usually make at night, but you're just not going to get good photos if you shoot them with the lighting that already exists in your house.
The top photos were shot indoors, at night, using the lights I had in my kitchen. The bottom photos were shot during daytime using only natural light. They have relatively similar styling, but the photos themselves are drastically different.
My set up is super basic. I have a table right next to the window in our kitchen and I put a bounce card opposite from the window so I can bounce the sunlight back to the shadowed side of the food and fill in a bit where it might lose detail. My bounce card is just a sheet of foam core board with the plain white on one side and the other side covered with foil. This way I can choose how bright of a reflection I want. Sometimes all I need is the white side, sometimes I want more light filled in and I'll use the foil side.
Do whatever you can to shoot with natural light. I used to live in a house that was tiny and dark, so I'd shoot all my food on the front porch. I probably looked like a crazy person to my neighbors, but it gave me way better photos than I would've achieved doing them indoors.
Depth of Field refers to how much of your photo is in focus and how much is blurred out. If you're shooting with an iPhone or point and shoot, you probably won't have much choice as to what your DOF will be, but with a DSLR you'll have options. I like to keep my DOF relatively shallow so that what I'm focusing on (the food, in this case) is in focus but the background is out of focus. I typically play between f/1.4 and f/2.2 for my food photos depending on how many things I want in focus. I use a 50mm f/1.4 lens for most of my food photos but occasionally I'll pull out my 90mm f/2.8 macro lens to get some fun detail shots.
A garnish can really take your food photography to another level. A bowl of chili on it's own is okay, but if you put a dollop of sour cream on top, sprinkle some cheese and green onions, and add a dash of chili powder? You just made that photo so much more interesting and, bonus, mouthwatering. Basically what you're doing is creating visual interest. A bowl of chili alone is very monochromatic. It lacks interest, no matter how delicious your grandma's recipe is. A cocktail alone is nice, but a cocktail with a garnish is better. Think about color when you garnish, you want the garnish to give the food a pop, not blend in. Some food isn't naturally photogenic and needs more help, so garnishing is a perfect way to give it a little umph.
The left photo would've been much better if I'd included a garnish on the soup. The second photo shows a very similar looking soup, but the photo is so much more interesting because I garnished with some cheese, cilantro, and bacon!
A picture of spaghetti on a table alone is boring. You want to create images with their own story, and food photography is no different. Add a placemat that brings texture, but doesn't pull focus. Artfully swirl the spaghetti on a fork. Place a loaf of french bread in the background and cut a couple slices. Pour a glass of wine and put it next to the plate. You've just created a story and the photo is so much more interesting than the plain old plate of spaghetti you started with. Let's take a hint from this awful photo from one of my first food posts... boring and unappetizing!
This isn't necessary, but it can produce some really interesting photos. If you're the photographer this can be more difficult as you'll have to document the process with a tripod and self timer, but if you have a helper or can document as someone else creates the food it will make it easier. Don't think that it's too hard to do on your own, I've done plenty of process shots on my own that have really enhanced a recipe post with just a tripod and self timer.
Process shots don't have to document the
process either. Determine what parts of the process are most photogenic and focus on getting shots of those. I like to shoot pouring a cocktail from a shaker into the glass, but it can take a few shots to get all the elements right. Don't forget to style your process shots too. Create a scene that tells a story. Because you're using still photos, you only get that one moment to tell a story. In baking shots I'll usually have containers of my ingredients where they're measured out, even though I wouldn't do it that way if I was just baking normally.
This is easy to do by going to thrift stores and grabbing a few items that look good in photos. Maybe have a couple forks with a cool etched design on the handles, get some plain white plates that will highlight the food, grab bowls that look interesting to shoot soups. Even things like interesting cutting boards or napkins are great to have on hand to style your shoots. Something I learned is using smaller plates when shooting food than you would normally use for eating. A smaller plate is easier to fill and the proportions will look better on camera. You don't need full sets of things, since most of your photos will be plated on only one or two plates, unless you're going for full tablescapes.
Like I said, I use the same location for all my shots, so in order to get some variety, I have some different backdrops that were super simple and easy to make. I have a light wood table that I occasionally use, but I also put wood planks on top the table to create alternative looks. One is a set of planks from our old fence, which gives a really nice rustic look. The other is a set of planks that is whitewashed for a bright, clean, white background. You could also use plywood, natural, painted, or aged/stained.
It takes just a little bit more thought and effort to take a food photo from boring to mouthwatering. You don't need super fancy equipment to create delicious images. It takes some practice to start figuring things out, but you'll start to learn what looks good and what works. Practice makes perfect! Keep on shooting!